demande d'aide traduction "technique" français -an
Posted: 05 May 2005 20:19
Bonjour,
est ce que quelqu'un pourrait m'aider à traduire ce texte?
Merci beaucoup d'avance!
The painting is executed on medium-weight plain-weave fabric and glue lined to a similar fabric. The original fabric varies
in thread thickness throughout. All tacking margins are trimmed off. The canvas appears to be close to the original size. The
ground is a white layer of medium thickness. The paint layer (est. oil) is painted in a direct manner, applied thickly. Some
wet-in-wet application is visible in details such as the pattern on the shawl at the edges of the forms and in the flowers.
The x-radiograph did not reveal any unusual changes. Examination with the infrared vidicon shows some underdrawing around the
contours of the head and in the eyes. The proper right eye appears to have been shifted up. There is thin dark underpainting
beneath both eyes. The lining is secure and the support planar. Generally, the condition is good with some losses retouched.
The paint in the area of the chin has an unusual broken-up surface that is not particularly disturbing because the layer
underneath is close in color to the top paint layer. The varnish is an older thick natural resin layer with an overall spray
coat of synthetic resin (Soluvar) applied in 1983 by Sonja Sopher.
est ce que quelqu'un pourrait m'aider à traduire ce texte?
Merci beaucoup d'avance!
The painting is executed on medium-weight plain-weave fabric and glue lined to a similar fabric. The original fabric varies
in thread thickness throughout. All tacking margins are trimmed off. The canvas appears to be close to the original size. The
ground is a white layer of medium thickness. The paint layer (est. oil) is painted in a direct manner, applied thickly. Some
wet-in-wet application is visible in details such as the pattern on the shawl at the edges of the forms and in the flowers.
The x-radiograph did not reveal any unusual changes. Examination with the infrared vidicon shows some underdrawing around the
contours of the head and in the eyes. The proper right eye appears to have been shifted up. There is thin dark underpainting
beneath both eyes. The lining is secure and the support planar. Generally, the condition is good with some losses retouched.
The paint in the area of the chin has an unusual broken-up surface that is not particularly disturbing because the layer
underneath is close in color to the top paint layer. The varnish is an older thick natural resin layer with an overall spray
coat of synthetic resin (Soluvar) applied in 1983 by Sonja Sopher.